Positionality of Female Visual Artists in the Ghana

Adwoa Owusuaa Bobie

doi:10.20336/rbs.1006

Autores

Adwoa Owusuaa Bobie Kwame Nkrumah University of Science and Technology

DOI:

https://doi.org/10.20336/rbs.1006

Palavras-chave:

gênero, posicionalidade, artistas visuais femininas, indústria criativa, África

Resumo

A posicionalidade é crucial para indicar a participação, representação e acesso à carreira, especialmente na indústria criativa. Essa indústria, contudo, é marcada por desigualdade e discriminação, que são intensificadas pela informalidade e precariedade prevalentes na indústria. Este artigo contribui para a discussão sobre discriminação de gênero no setor criativo, destacando o contexto único de Gana. Ele discute a posicionalidade interseccional de (que marginaliza) mulheres artistas visuais no âmbito da crescente indústria de arte visual. Com base nos três princípios da posicionalidade de Kezar e Lester, este artigo analisa a influência da intersecção entre sub-representação de gênero e estereótipo geopolítico associado a expectativas socioculturais desfavoráveis no posicionamento desvantajoso de mulheres artistas visuais na indústria. O estudo compreende pesquisa qualitativa com mulheres artistas visuais em Gana, mostrando que a representação minoritária de mulheres obscurece sua identidade profissional e reconhecimento. Essa sub-representação também permite relações de poder desiguais favorecendo artistas masculinos na entrada na indústria, prática e crescimento na carreira. Contextualmente, as mulheres artistas visuais enfrentam posicionamento duplamente subordinado, como mulheres e como artistas não ocidentais baseadas no Sul Global, ao colaborar com artistas ocidentais. Essa subordinação racial intensifica-se ainda mais pelas lutas das artistas por encontrar um equilíbrio entre as demandas de suas carreiras e as expectativas socioculturais associadas ao seu gênero.

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Biografia do Autor

Adwoa Owusuaa Bobie, Kwame Nkrumah University of Science and Technology

PhD in Sociology, she is a research fellow at the Centre for Cultural and African Studies (CeCASt) at the Kwame Nkrumah University of Science and Technology (KNUST).

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